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UID:546@tucsontimeline.info
SUMMARY:Evicshen at Wave Archive
DTSTAMP:20260412T213327Z
DTSTART:20260501T020000Z
DESCRIPTION:San Francisco based experimental sound artist Victoria Shen (A.
	K.A. Evicshen)\ncomes to Wave Archive Thursday April 30th\, in a duo set w
	ith Greg Saunier. Algae\n& Tentacles opens the night. $13 advance tickets 
	in our bio\, $15 day of show.\n\nLimited space so we recommend picking up 
	a ticket and some ear plugs.\n\nEvicshen is a sound performance alias by V
	ictoria Shen who manipulates records\nand materials of all kinds. Her soun
	ds oscillate between moments of restraint\nand swells of frenetic and conf
	rontational movement. Eschewing conventions in\nharmony and rhythm in favo
	r of extreme textures and gestural tones\, Shen uses\nwhat she calls 'chao
	tic sound' to oppose signal and information\, eluding\ntraditionally embed
	ded meaning. Her personal identity\, her body\, is the space\nher work uti
	lizes to restructure sonic meaning. In her live performances\, she\npropos
	es an exploration between meaning and non-meaning through the physical\nac
	tivation of noise tropes. The appendage-like instruments and objects she\n
	makes\, exemplify Shen's ability to embody through sound her interest in t
	he\ntension created by opposition: control and chaos\, the unique and the 
	mass\nproduced\, the practical and the absurd.
URL:https://tucsontimeline.info/event/evicshen-at-wave-archive
LOCATION:Wave Archive - 197 East Toole Avenue\, Tucson
STATUS:CONFIRMED
CATEGORIES:
X-ALT-DESC;FMTTYPE=text/html:<p>San Francisco based experimental sound arti
	st Victoria Shen (A.K.A. Evicshen) comes to Wave Archive Thursday April 30
	th, in a duo set with Greg Saunier. Algae &amp; Tentacles opens the night.
	 $13 advance tickets in our bio, $15 day of show.<br><br>Limited space so 
	we recommend picking up a ticket and some ear plugs.<br><br>Evicshen is a 
	sound performance alias by Victoria Shen who manipulates records and mater
	ials of all kinds. Her sounds oscillate between moments of restraint and s
	wells of frenetic and confrontational movement. Eschewing conventions in h
	armony and rhythm in favor of extreme textures and gestural tones, Shen us
	es what she calls 'chaotic sound' to oppose signal and information, eludin
	g traditionally embedded meaning. Her personal identity, her body, is the 
	space her work utilizes to restructure sonic meaning. In her live performa
	nces, she proposes an exploration between meaning and non-meaning through 
	the physical activation of noise tropes. The appendage-like instruments an
	d objects she makes, exemplify Shen's ability to embody through sound her 
	interest in the tension created by opposition: control and chaos, the uniq
	ue and the mass produced, the practical and the absurd.</p>
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