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UID:629@tucsontimeline.info
SUMMARY:Blowgun\, Violineux\, and Distortion Moth
DTSTAMP:20261015T232611Z
DTSTART:20261016T020000Z
DESCRIPTION:Miriam Hacksaw is back at Splinter Collective\, this time with 
	Blowgun\, a\ncollective of traditional musicians based in New Orleans who 
	use music as a tool\nto connect with ancestors and resist the suffocating 
	weight of white supremacy.\nFeaturing Distortion Moth and Violoneux Miriam
	 Hacksaw is an old time fiddler\,\nbanjoist\, and percussionist based in N
	ew Orleans. She grew up in Oregon\, where\nshe learned to play old time mu
	sic at local jams and festivals around the\nNorthwest. Miriam is mixed Mal
	ayali-American\, and collects folk songs from\nKerala\, India\, bringing f
	ragments of her ethnic background into the North\nAmerican folk traditions
	 that she participates in. As a trans lesbian of color\,\nMiriam writes in
	to the tradition as well\, rewriting old songs as well as\ncomposing new s
	ongs in old styles to uplift historically marginalized\nperspectives. Alon
	gside touring and recording\, she facilitates workshops on old\ntime music
	\, oral tradition and diaspora at festivals around the country.
URL:https://tucsontimeline.info/event/blowgun-violineux-and-distortion-moth
LOCATION:Splinter Collective - 901 N 13th Ave\, Tucson\, AZ 85705
STATUS:CONFIRMED
CATEGORIES:activism,music
X-ALT-DESC;FMTTYPE=text/html:<p>Miriam Hacksaw is back at Splinter Collecti
	ve, this time with Blowgun, a collective of traditional musicians based in
	 New Orleans who use music as a tool to connect with ancestors and resist 
	the suffocating weight of white supremacy. Featuring Distortion Moth and V
	ioloneux Miriam Hacksaw is an old time fiddler, banjoist, and percussionis
	t based in New Orleans. She grew up in Oregon, where she learned to play o
	ld time music at local jams and festivals around the Northwest. Miriam is 
	mixed Malayali-American, and collects folk songs from Kerala, India, bring
	ing fragments of her ethnic background into the North American folk tradit
	ions that she participates in. As a trans lesbian of color, Miriam writes 
	into the tradition as well, rewriting old songs as well as composing new s
	ongs in old styles to uplift historically marginalized perspectives. Along
	side touring and recording, she facilitates workshops on old time music, o
	ral tradition and diaspora at festivals around the country.</p>
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DESCRIPTION:Blowgun, Violineux, and Distortion Moth
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